![]() ![]() Otherwise, consider it a curious experiment between two reputed producers that didn’t ignite the spark I was seeking for, considering the genre is not my cup of tea. Overall, if you are a fan of this kind of Hip-hop leaning track, “Boom Boom Pow” can cater as this excellent single for your library. It’s weird to see that both the singers haven’t been credited, considering the kind of release. ![]() The structure is linear, without a distinct drop segment, but rather one groove with a fast-paced percussions. The whole structure emphasizes, as expected, on the female vocalist’s performance (somewhat repetitive) and a rap part that follows up as a duet in the central breakdown… the results work, especially when Afrojack adeptly introduces his Dutch House squeaky lead synths just around the end. The low-end department is dominated with the Zafrir’s darker vibes, with a sprinkled Bass/G-House vibes going together with hip-hop percussions. However, let’s see how Afrojack and Zafrir modernized and added their spin. ![]() I never found myself totally settled with the trend of that time, as these schematic has aged like milk in my honest opinion (with a few brilliant exceptions), so the aforementioned instrumental didn’t paint an overall great impression on me. The duo presents an unanticipated hip-hop clubbier production, an energetic type that was storming the dance-floors in 2012/2013. Such is the case of the newest studio outcome with Afrojack in “Boom Boom Pow”. The detail I appreciate in this efforts is that he is always trying to introduce new ideas, without recycling his sound, more noticeable in the joint-efforts whilst in the presence of a talented collaborator. Zafrir strikes me as the individual who keeps releasing a lot of music and conducting team-ups with famous aliases, often with forgettable results and sometimes with gorgeous results.
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